01 - Archive 64
The benchmark others follow.
Kodachrome rendered scenes with unmatched color fidelity, turning skies a deep blue without shifting green tones or casting unwanted hues. With its fine grain and slow speed, it thrives on bright, clear days like this.
- Film cube
- Kodachrome 64
- Saturation
- -4
- Contrast
- -1
- Warmth
- -2
- Clarity
- +15
- Grain
- 25
How they are made
Matched to authentic film stock, not an artificial mood.
Calibrated directly against reference film frames, the color of every preset is matched for total accuracy, giving you Velvia tones on mountains that look exactly right, and the classic cool shift of tungsten film.
02 - Cold Print 800
Tungsten film, shot in daylight.
Designed for tungsten lighting, it renders daylight with a cool atmosphere, cyan shadows, stable warm tones, and signature highlight bloom.
- Film cube
- Cinestill 800T
- Saturation
- +1
- Contrast
- +4
- Warmth
- +16
- Split tone
- +9 / -95
- Clarity
- -7
03 - Crisp 100
The sharpest color film ever created.
Engineered for maximum clarity, this color negative has grain so fine it disappears, preserving sharp architectural detail, clean horizons, and rich, vibrant blues.
- Film cube
- Ektar 100
- Saturation
- +11
- Contrast
- -7
- Warmth
- -3
- Split tone
- -10 / +20
- Clarity
- +8
Underneath
True color science, not just a surface layer.
Fully adjustable and customizable, each look serves as a pristine starting point that you can adapt and save to fit your vision.
Tone
Contrast, brightness, black point, white point, and a shadow lift that opens the dark end without flattening the rest.
Color
Saturation, warmth and tint, plus the film cube, the LUT that gives a stock its actual character.
Split tone
Warmth and tint set separately for shadows and highlights, which is where most of a film look really lives.
Skin
A protection amount that holds faces steady while the rest of the frame is graded around them.
Texture
Grain, clarity and fade, the difference between a clean scan and a print.
Strength
One slider over the whole thing. Every look starts where we set it and ends where you want it.
04 - Landscape 50
True slide film aesthetics.
Our most vibrant look, delivering deep turquoise waters, rich green foliage, and clean, dense shadows that mimic authentic film transparencies.
- Film cube
- Velvia 50
- Saturation
- +20
- Contrast
- +2
- Warmth
- +17
- Split tone
- -51 / +32
- Clarity
- -5
05 - Verdigris
The pastel look that protects skin.
Delicate cyan green mid tones, open highlight contrast, and preserved skin tones recreate the celebrated aesthetic trusted by wedding photographers.
- Film cube
- Fuji Pro 400H
- Saturation
- -3
- Contrast
- +1
- Warmth
- 0
- Grain
- 20
The shelf
The rest of the shelf.
Color negative, slide film, tungsten cinema stock, printed paper, and unique custom creations. Get started with the essential free pack, or unlock the complete collection across all available layouts with Pro.
06 - Press 400
Natural black and white film grain.
The iconic film stock synonymous with documentary photography. Known for deep blacks, protected highlights, and textured grain that forms an integral part of the image.
- Film cube
- Tri X 400
- Saturation
- -8
- Contrast
- +4
- Warmth
- -2
- Clarity
- +15
- Grain
- 50
Questions
Frequently asked questions.
Are these presets or filters?
Presets, the way Lightroom means it. Each one is built out of the same controls you can reach, so you can open it up, change any setting and save your own version. Nothing is laid over your photo as a flat layer.
Can I adjust the strength of a look?
Yes. There is one slider for the whole thing, and every control underneath stays editable, so you can ease a preset off or take it apart and rebuild it.
Do these looks work across a full carousel?
A preset applies per photo, so you can grade a carousel as one set or frame by frame. Most people put one across the whole thing and then nudge the odd shot.